A Political and Literary Forum
Boots Riley's new film roasts racial capitalism and issues an unapologetic call for revolution.
Robin D. G. Kelley
Morris on his new film and what he thinks of the man who likened himself to Darth Vader and Satan.
Errol Morris, Deborah Chasman
‘Happy End’ is the culmination of Haneke’s obsession with how technology mediates our desires.
Black Panther, a movie unique for its black star power, depends on a shocking devaluation of black American men.
The monotony of slow cinema defamiliarizes our world and enables us to see it critically.
A new book takes on the titans of twentieth-century cinema, fetishes and all.
The art and life of John Fante.
Isabel Coixet's Learning to Drive
Alan A. Stone
Michael Almereyda's Cymbeline
Olivier Assayas's Clouds of Sils Maria
Lav Diaz's singular approach to history is liberated from the shackles of business-oriented film.
Truth in the Films of Errol Morris.
Vital reading on politics, literature, and more in your inbox
Joseph J. Fischel
Shellyne Rodriguez, Billy Anania
David Theo Goldberg
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