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Film

Arts in Society

Untangling Fiction and Reality in the Balkans

The award-winning documentary ‘Honeyland’ sets out to offer a timeless environmental parable, but in the process it also explores misconceptions about the region’s culture and history. 

Daniel Petrick

Arts in Society

The Mythic Whiteness of the Hillbilly

Ron Howard’s Netflix adaptation of ‘Hillbilly Elegy’ continues a long tradition of seeing hillbillies as a symbol of pristine American whiteness. It’s the same nostalgia Trump has mobilized on the far right.

Ellen Wayland-Smith

Gender & Sexuality

Pathologizing Desire

Current contempt for age gap relationships serves to strip both men and women of their agency. 

Jessa Crispin

Arts in Society

The Virus Has Seized the Means of Production

In films such as Contagion, virology is often confused with the invisible workings of capital.

Mark Bould

Arts in Society

The Precarity of Black Motherhood

Jordan Peele's ‘Us’ depicts the terrors faced by black mothers in a way that owes as much to Toni Morrison’s ‘Beloved’ as it does to classic Hollywood horror. 

Tao Leigh Goffe

Arts in Society

The Other Toni Morrison

A timely new documentary celebrates Morrison’s novels, but downplays the enduring power of her work as an editor and essayist.

Joy James

Arts in Society, Race

Aretha Franklin’s Soul

‘Amazing Grace,’ the long-lost film of Franklin’s gospel album, offers a lesson in the deep connections between gospel and soul music.

Ed Pavlić

Reading Lists

Our Best Film Writing For Oscars Weekend

Lars von Trier. Stanley Kubrick. Michael Haneke. 

Rosie Gillies, Boston Review

Arts in Society

Monsters vs. Empire

Trump’s Space Force is a bad reboot of the old imperial fantasy of control from above.

Mark Bould

Arts in Society, Race

Sorry, Not Sorry

Boots Riley's new film roasts racial capitalism and issues an unapologetic call for revolution.

Robin D. G. Kelley

Politics

Errol Morris on Steve Bannon’s Dangerous ‘Dharma’

Morris on his new film and what he thinks of the man who likened himself to Darth Vader and Satan.

Errol Morris, Deborah Chasman

Arts in Society

Haneke and the Technology of Intimacy

‘Happy End’ is the culmination of Haneke’s obsession with how technology mediates our desires.

Francey Russell

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