Join the conversation
Subscribe to Our Emails
Boston Review is a public space for the discussion of ideas and culture. Sign up for our newsletters and don’t miss a thing.
Experiencing a classic anew.
My Life and My Life in the Nineties
by Lyn Hejinian
Wesleyan University Press, $16.95 (paper)
Hejinian writes, “We make our appearance and then define ourselves. Existing never to non-exist again.” Hejinian’s poetic autobiography exists in this way. Long considered a masterpiece of contemporary experimental poetry, My Life, first published in 1980, has had abiding influence and requires little introduction. This new volume combines My Life and My Life in the Nineties (2003). Although this “reprinting” may be too easily taken for a retrospective, a new and selected, or even a collected, My Life and My Life in the Nineties is not recapitulation but rather an extension of the underlying poetic process that first gave us My Life in its thirty-seven line form, and then, some years later, the same poem in its forty-five line elaboration. In this volume, the totalizing category of “my life” gets checked by the more discreet “my life in the nineties” and reveals the counterintuitive way time works through memory. While youthful time may seem all encompassing, remembrance from an older vantage point suddenly breaks apart into neat, ordered decades. To read the twenty-first-century iteration of Hejinian’s poetic autobiography is to experience anew a poem that conceives of a life as an ever-unfolding process of recapitulations and echoes, expansions and contractions, discontinuities, recontextualizations, and accumulations. It presents life as a whole that is at once more than its constituent parts and yet incomplete and ongoing.
...we need your help. Confronting the many challenges of COVID-19—from the medical to the economic, the social to the political—demands all the moral and deliberative clarity we can muster. In Thinking in a Pandemic, we’ve organized the latest arguments from doctors and epidemiologists, philosophers and economists, legal scholars and historians, activists and citizens, as they think not just through this moment but beyond it. While much remains uncertain, Boston Review’s responsibility to public reason is sure. That’s why you’ll never see a paywall or ads. It also means that we rely on you, our readers, for support. If you like what you read here, pledge your contribution to keep it free for everyone by making a tax-deductible donation.
Vital reading on politics, literature, and more in your inbox
Readers Also Liked
Printing Note: For best printing results try turning on any options your web browser's print dialog makes available for printing backgrounds and background graphics.