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We are a public forum committed to collective reasoning and the imagination of a more just world. Join today to help us keep the discussion of ideas free and open to everyone, and enjoy member benefits like our quarterly books.
You are the following dangerous words: 1. heart 2. love 3. mind
4. beauty and 5. eyes
(I don’t consider beauty a failure, but that’s just my opinion).
I wanted to save you because you are all so hackneyed;
maybe some of the words that typically surround you, I thought,
could give you some life?
So for example, for eyes, I wrote: four eyes, private eyes, snake eyes,
When Irish Eyes Are Smiling and Don’t Shoot Until You See the Whites of Their
Eyes.
For love I listed Hiroshima, From Russia with Love,
Love and Rockets, Love Is a Battlefield and You Can’t Buy Me Love.
Maybe you were more political than I realized.
I subtracted you from these phrases, then scrambled your neighbors
into what I called a poem, but the end result was a solipsistic,
awkward definition for each of you
(I think I was trying to do something semiotic).
When I was about seven or eight, I found a blue jay with a broken wing in some
nearby woods.
I ran home and told my mom, who gave me a shoe box and a pair of ski gloves
to handle him. My mom rushed us to the vet, and I felt so relieved.
But when we called later that afternoon to check on our patient, the vet had put
him to sleep;
there was nothing he could do, he said.
Plato, in the Republic, says that poets must be exiled.
Shelley calls poets “the unacknowledged legislators of the world.”
I remember the blue jay’s eyes, looking up at me through the foot-length ferns
like I was going to kill him.
Just the exact opposite, I thought, cradling him in ski gloves.
Trey Sager is author of O New York and The Weeds, a collaboration with painter Munro Galloway. He lives in New York City.
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