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We are a public forum committed to collective reasoning and the imagination of a more just world. Join today to help us keep the discussion of ideas free and open to everyone, and enjoy member benefits like our quarterly books.
I concede it must have seemed
I’d slid my quarter
off the wooden counter upon
which, I admit, it must have seemed I’d placed
it, on a symbol painted there
corresponding
to the same painted symbol on the plywood
Wheel of Chance. Cost a quarter
to bet on where the
arrowhead might land then, but I
understand it’s been raised up since to a
dollar a guess. I don’t know what
to say on the
weightlessness of paper; heft of quarters is
the best thing about having
pockets, and when a
quarter speaks for me I feel a
reckoning of my soul to the slot—but
there’s no slot here, just a board that
was something else
once, stenciled-over, and I can’t remember
now, was the arrow spinning
or the wheel itself,
what the symbols might have been or
meant—same as on a deck of cards, I think—
large, black hearts, red hearts, interspersed
with words like PAL
and SIS lettered to look like huge handwriting
that made them feel personal,
almost, as chance is
always almost personal, and
then partitioned further by more signs and
words and numbers that mean nothing
because they mean
so much, HON and LUV and MOM diminishing
by fractions into smaller
opportunities
to land the point. The wheel affixed
to the rear wall of a temporary
booth without a door, so the man
who worked there must
have had to hop the counter to enter; he
paced the gulf between counter
and wheel using a
tool designed to clean a windshield
with to drag quarters into a gutter.
But what did he do with the rest
of that year when
summer ended? And the next year? And then his
life? (You think life too big a
word here? That I’m too
dramatic; anecdotal; too
pathetic? Don't listen then. And don’t touch
me.) I don’t cheat
my customers,
he said, and won’t be cheated. As stated, though
I concede it must have seemed
I had recanted
my coin as the Wheel of Chance, or
was it the arrow, ground past what it must
have seemed I’d bet on—SON or DOE
ETC,
I need to say again, I had not played it.
I was hovering above
what I was planning
to put my bet on in the next
round. I said so then, and now I’ve said so
now. Let it rest. Let’s go back to
bed. It was the
one time I have ever been taken for a
liar. On the other hand,
once asked—there was no
umpire to make the call—if a
glove that touched me touched me before my foot
reached home or after, I said I
was safe; I was
not safe.
Robyn Schiff is the author of Revolver and Worth, both published by the University of Iowa Press, Kuhl House Poets series, and her new work can be found in The New Yorker, A Public Space, and Poetry. She is a co-editor at Canarium Books.
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