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Fear Your Black Son Will Get Shot in the Front Yard in the Car Listening to Music Reading a Book—
There’s a tree in the backyard won’t grow
Half its hair charred those leaves on the other
yellowish in their greening infested
never-ready Sometimes I stand above it
in the sweat of a summer nightgown from
the balcony where I’m afforded time to watch—
my bird’s eye pain(staking)
clamping a beak on a worm
There are worms in that tree sick-like I’ve watched
without seeing All the things one holds to the mouth
& swallows I climb down barefoot
the rocks still hot from the sun though the sun
has gone down I take an axe
The Bowl of Life & the Butcher’s Knife
I threw away the butcher knife
my husband brought into our marriage
It was square could turn animals into other
I’m not a vegetarian & there’s ideas
being closer to what we consume
has more meaning the way of ice cultures
butchering the food & eating it raw
the children crowded around that open-
casket of fur kneeling on the sleet
with their red hands the organs still warm
I wondered about parasites & diseases
the way I won’t even touch raw poultry
not since the miscarriage which had nothing
to do with chicken but swine flu & only
in the way of memory the way it bleeds
I was standing in line at the fairgrounds
for a flu vaccine the pandemic fear—
two blue lines ghosted in a desert
returned & I couldn’t hold the joy
I wonder sometimes about the bowls we carry
My adopted son says life is a bowl in the stomach
you drink from one bowl that clear broth
he holds to his mouth sprigs of cilantro
in his teeth & the other bowl filling inside you
He fell asleep on my lap that night I bled
that baby out again like he knew he was losing
& it would be years I mean I’d get pregnant
again in a month & the daughter would come
but it would be years before I could account
for that knife in the kitchen drawer
the violence we carry that bowl overfilling
sometimes or emptying I’ve forgotten how
the metaphor goes I wrapped it in a kitchen towel
& tossed it in the garbage worried for sanitation workers
but less finally for my family
Jennifer Givhan is a Mexican-American poet from the Southwestern desert. She is the author of Landscape with Headless Mama (2015 Pleiades Editors’ Prize) and Protection Spell (2016 Miller Williams Series, University of Arkansas Press). Her chapbooks include Lifeline (Glass Poetry Press), The Daughter’s Curse (ELJ Editions), and Lieserl Contemplates Resurrection (dancing girl press). Her honors include a National Endowment for the Arts Fellowship in Poetry, a PEN/Rosenthal Emerging Voices Fellowship, The Frost Place [email protected] Scholarship, The 2015 Lascaux Review Poetry Prize, The Pinch Poetry Prize, and her work has appeared or is forthcoming in Best of the Net, Best New Poets, AGNI, Ploughshares, POETRY, TriQuarterly, Crazyhorse, Blackbird, and The Kenyon Review. She lives with her family in New Mexico.
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