Contests

Boston Review is pleased to adopt a contest model shaped by social justice and accessibility concerns.

• Contestants from the United States, Canada, and Western Europe pay an entry fee of $20, which helps subsidize the entry of contestants from outside of those countries, as well as those claiming hardship, all of whom pay nothing to enter our contests. Free entries and paid entries are read in the same way and given equal weight.

• In addition, while a winner will be chosen in each genre, many more runners-up will have their work published, increasing the likelihood that entrants will have their work shared with Boston Review’s audience.

• Finally, Boston Review commits to publishing an annual themed literary issue, and the contests share the issue’s theme. This offers contestants more transparency about what Boston Review’s editors are seeking in any given year. All contestants will receive a free copy of the issue, either in print (for paid entries) or digital (for unpaid entries).

Complete instructions for submission to each contest can be found below.

Aura Estrada Short Story Contest

Deadline: April 15, 2020 (free global/hardship entries); May 31, 2020 (paid entries)
Judge: Ivelisse Rodriguez
First Prize: $1,000 and publication

THE THEME OF THIS YEAR’S CONTEST IS....

ANCESTORS

Who are your people? Who made you who you are? What about you only makes sense to someone who knows where you’re from? What’s a secret about your past?

It is rare now for people to stay where they were raised, and usually when we encounter one another—whether in person or online—it is in contexts that obscure if not outright hide details about our past. But even in moments of pure self-invention, we are always shaped by it. Ancestors asks today’s most imaginative writers to consider what it means to be made and fashioned by others: parents, grandparents, family, the deep past, the animal and natural world, epigenetic memory, predispositions for health or illness, political forebears, inherited social and economic circumstances, settled (and unsettled) ideas about gender and sex, class and racial history, the elders of whatever you feel beholden to or unable to outrun—not to mention your own best and worst decisions. Can we choose our family, or is blood always thicker? And looking forward, what will it mean to be ancestors ourselves, and how will our descendants remember us? 

THIS YEAR’S JUDGE: IVELISSE RODRIGUEZ

Ivelisse Rodriguez’s debut short story collection Love War Stories is a 2019 PEN/Faulkner finalist and a 2018 Foreword Reviews INDIES finalist. She has published fiction in the Boston Review, Obsidian, Kweli, the Bilingual Review, Aster(ix), and other publications. She is the founder and editor of an interview series focused on contemporary Puerto Rican writers published in Centro Voices. She was a senior fiction editor at Kweli and is a Kimbilio fellow and a VONA/Voices alum. She earned an M.F.A. in creative writing from Emerson College and a Ph.D. in English-creative writing from the University of Illinois at Chicago. To learn more about Ivelisse, visit: www.ivelisserodriguez.com.

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Complete guidelines:

• All entries must be related to this year’s theme of ancestors. We want the theme to be very broadly interpreted, but we also shouldn’t have to guess at the connection between the theme and your entry.

• The winning author will receive $1,000 and have their work published in Boston Review's special literary issue Ancestors (January 2021). Numerous runners-up will also be published in the issue.

• Stories must not exceed 5,000 words and must be previously unpublished. No cover note is necessary for online submission. Names should not appear on the stories themselves. All entries much be in English; translations are acceptable if they are done in collaboration with the author and the story is unpublished in any language.

• Simultaneous submissions are OK but if your story is accepted elsewhere, you must immediately withdraw it via Submittable.

• Submissions may not be modified after entry.

• Contest entrants cannot have a close personal or professional relationship with this year’s judge, Ivelisse Rodriguez, or with any editors or staff at Boston Review.

• Make sure your address (mailing and email) in Submittable is correct, as this is the address where your free copy of Ancestors will be sent in early 2021.

Our contest is named after Aura Estrada (1977–2007), a promising young Mexican writer and student and wife of Francisco Goldman. This prize is meant to honor her memory by supporting other burgeoning writers. Aura's writing, and more about her life, can be found here.

Entries are accepted exclusively through Submittable. Please make sure to select the correct form, paid or free, depending on your circumstances.

Read winning stories from past years:
Sabrina Helen Li’s Mother, Grow My Baby (Fall 2019)
Neshat Khan’s The Neighbors (Spring 2019)
Herselman Hattingh’s The Recorder (2018)
Gina Balibrera’s Álvaro (2017)
Mikayla Ávila Vilá's Trumpeteers (2016)
Barbara Hamby's Dole Girl (2015)
Leslee Becker's Severance (2014)
Kerry-Lee Powell’s There Are Two Pools You May Drink From (2013)
Alexandra Thom’s The Piano (2012)
Kalpana Narayanan’s Aviator on the Prowl (2011)
Adam Sturtevant’s How Do I explain? (2010)
Jessica Treglia’s Canceled (2009)
Patricia Engel’s Desaliento (2008)
Padma Viswanathan’s Transitory Cities (2007)
Tiphanie Yanique’s How to Escape from a Leper Colony (2006)
Lisa Chipongian’s Intramuros (2005)
D.S. Sulaitis’s If It’s Anywhere, It’s Behind Us (2004)
Gale Renee Walden’s Men I Don’t Talk to Anymore (2003)
Manini Nayar’s Home Fires (2002)
Kate Small’s One Night a Year (2001)
Girija Tropp’s The Pretty Ones Have Their Uses (2001)
Pauls Toutonghi’s Regeneration (2000)
Jacob M. Appel’s Shell Game with Organs (1999)
Kris Saknussemm’s Unpracticed Fingers Bungle Sadly Over Tiny Feathered Bodies (1998)
Kiki Delancey’s Jules Jr Michael Jules Jr (1997)
Mary Ann Jannazo’s No Runs, No Hits, No One Left on Base (1996)
Tom Paine’s The Milkman & I (1995)
Michael Dorris’s Layaway (1994)