Unnecessary Noise Prohibited
All my life I have been here, hiding behind the wimple a small girl-child, listening to the remonstrations of my superiors. “For I am like unto God,” I say. They are my skeptics as we dance the tarantella together, calling on the Virgin
to bear us over the oceans. There is sketch of me downing a shot with the hand of sleep, as the other tweaks my cold nipple. “Yes, it was my bite that sinned,” the slow burn on this naked body,
pushing something artificial in me, a pretense of beauty. Now my thoughts feel subjunctive, quieting a mind with the counterfactual, as I lose myself in the city of our Divine Order. Together we have taken vows,
hearing their intervals echo so long in the crypt even the soothsayers lose their meaning. But I alone wander the cloister with water in my hair, whispering “Ave Maria” to the passing sisters, crying out
“We are abandoned,” when I feel the sharp whip
of their flagellations. The music in my head sometimes grows too much, and I fall ill and dream I wear the mitre of men, and not this black habit
against my skin. Now I lie with my hair in folds as my eyes spin circlets towards the crenellated ceiling. “All spoils to the silent,” I am told to repeat, learning in those words the vibration of utterance. —C. Durning Carroll
C. Durning Carroll's poems have appeared or are forthcoming in Brooklyn Review, Folio, and Tarpaulin Sky. Originally published in the January/February
2006 issue of Boston Review |