| CURRENT ISSUE | | | | FEATURES | | | | | | | | | | | | | | ABOUT US | | | | | | | | | | | | | | SERVICES | | | | | | | | | | | | Plus Appetite How to be = being. Perceive us, A&P parking lot in determinate dusk, grandiose hazes fill up the sky. Are the sky. Shiny, cheerful aisles of plethora. So encouraging, talkative, like a small town, overlit mutter oftwo shapes: choice or square, two durations: a year to a day, these substances: flesh, sheened cardboard. Appetite as a function appears dumb, cartons eager and unctuous, idiot surface gladhanding.
Money as dumb. And transacting entry or exit, gracious hiss of the sliding back, chilly exhibit, nature. We in the ice-case reflector, caught, given back surplus + influx, ugly crustacea or jetsam and flotsam, old Vladimir, young Estragon. Sea-wrack or hunger and aspirin. Push at our tissue, circadian flaring of hothouse and peatmoss on sale in the mall portico. Cough-syrups carny the liquor store. So we touch. We are touching. Ellipsis of temporary sugar crust feeds at our mouths, hot expiry, chrome baskets fulsome in floodlight. Cornucopic mess in their stanchions and car engines billowing vapor, emitting a cloud that is separate and mingles with ours and fades. Toxic particulate heightens the colors that augment or gaudily bleed, and waves exchange stress with the traffic, low constant muffling roarwait, mergeconstant comforting low muffled roar. Frances Richard
Frances Richards first book, See Through, will be published in October. She is nonfiction editor of Fence, a member of the editorial team at Cabinet, and teaches at Barnard College in New York City. Originally published in the Summer 2003 issue of Boston Review | |