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kvetching, neither funny like funambulism nor the town carnival where for three dollars you can sledgehammer a car, not Beckett's ashcan through which heads come up, Keaton with the barrelgrinder's monkey funny, that funny silence called an ex, a sex pot, sextodecimo pages torn from a book, not the broken then fixed lit cigarette trick, monkey editing a folio or happy trails, happy hunting, hapless jack in the box pulpit, neither this is the world's smallest violin, as a return to reality implies no new acceptances, playing to the tune of: didn't he have a loincloth over his gentiles, figure of the self reduced to that of a fly on the orator's brow, nor funny car, funny bone, funny farm where Simple Simon went a poaching for to shoot some game, and the trap and pain effect: schlemiel, schlep, it makes me delirious this erectile dysfunction and I cannot hold the umpteenth sexual position as suggested in the tantric manual, having entered language for a peep and found the licking of toes an essential kind of seduction, not the gang in soldered chains, brass or black japanned dreaming of torsos in lace and whalebone, not Humpty Dumpty, portmanteau, portamento, that uninterrupted passing from one tone to another, then to the axis where trivialities hover and buzz, dog running, run that is dogging, some of us soon to be immortal due to other sleights of hand, and not the opium poppy, the juice of which is an original source where some wise ones take suck, like one Thomas De Quincey divining the doctrine of the true church on the subject of opium, and S. T. Coleridge whose initials intoned very quickly are ecstasy: L'éclat, c'est moi: what the hardy laugh screens us from, what fetches up the bawdy jest for this earth uncanny, like a philosopher with a thousand eyes, out and out defying things to feel. ¦¦¦¦
Joshua Green's poem in this issue takes its title from the last line of Peter Gizzi's "New Picnic Time." He teaches at Columbia and Fordham Universities.
Originally published in the April/May 2002 issue of Boston Review |
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